martin Katz

 

“The most musically astute collaborator working today.”   NY Times

“Katz consistently creates the gold standard of accompanying.”  Washington Post

"Martin Katz must surely be considered the dean of collaborative pianists," said the Los Angeles Times, and Musical America magazine created an award expressly for him:  Accompanist of the Year.  One of the world's busiest collaborators, he has been in constant demand by the world's  most celebrated vocal soloists  for more than four decades. In addition to Miss Crocetto, he has appeared and recorded regularly with Marilyn Horne, Frederica von Stade, Karita Mattila, David Daniels, Jose Carreras, Cecilia Bartoli, Kiri Te Kanawa, Kathleen Battle, Piotr Beczala, Joseph Calleja and Sylvia McNair, to name just a few.  Season after season, the world's musical capitals figure prominently in his schedule.  Throughout his long career he has been fortunate to partner some of the world's most beloved voices:  Renata Tebaldi, Cesare Siepi, Katia Ricciarelli, Tatiana Troyanos, Victoria de los Angeles, Teresa Berganza, Nicolai Gedda, Regine Crespin, Grace Bumbry, Monserrat Caballe have all asked for him at the piano.

Mr. Katz is a native of Los Angeles, where he began piano studies at the age of five.  He attended the University of Southern California and studied the specialized field of accompanying with its pioneer teacher, Gwendolyn Koldofsky.  While yet a student, he was given the unique opportunity of accompanying the classes and lessons of such luminaries as Lotte Lehmann, Jascha Heifetz, Pierre Bernac, and Gregor Piatigorsky.  Following his formal education, he held the position of pianist for the US Army Chorus in Washington, D.C. for three years, before moving to New York where his international career began in earnest in 1969.     

In more recent years, invitations to conduct orchestral evenings have come with increasing frequency.  Mr. Katz has partnered several of his soloists on the podium for orchestras of the B.B.C., Houston, Washington, D.C., Tokyo, New Haven and Miami. He has also been pleased to conduct several staged productions for the University of Michigan's  Opera Theatre, the Music Academy of the West, and San Francisco Opera’s prestigious Merola program, where he leads Don Giovanni in 2014.

Finally, the professional profile of Martin Katz is completed with his commitment to teaching.  For three decades, the University of Michigan has been his home, where he has been happy to chair the School of Music's program in collaborative piano, and play an active part in operatic productions.  He has been a pivotal figure in the training of countless young artists, both singers and pianists, who are now working  all over the world.  The University of Michigan has  recognized this important work, making him the first  Arthur Schnabel Professor of Music.  In addition to his work at his home school, he is a regular guest teacher at Helsinki's Sibelius Academy, Songfest, Chicago College of Performing Arts, Canadian Operatic Arts Academy, and the New National Theatre of Tokyo.  Mr. Katz’s comprehensive guide for accompanists, “The Complete Collaborator,” published by Oxford Press, is widely seen as the standard for textbooks on this subject.